The first plugin, Set Material by Crease Angle, sets the materials of a model based on the crease angle of the mesh. For each selected area, the plugin creates a new color in the palette and “flood-fills” the area until the angle between the surfaces exceeds the crease angle of the mesh. The result is that contiguous areas are all set with the same palette material, and a new material is applied wherever a discontinuity occurs. This allows you to easily break a model into sections along its creases for easier texture mapping, or many other purposes. The first command is Fit UV Coordinates to Map. This command is essentially the same as the “max” button in the TCE, forcing all UV coordinates into the 0-1 range, but unlike “max” this scales the map proportionally instead of independently on each axis. The second command is Adjust UVs for Bilinear Filter. This is useful for game developers. This command scales your texture coordinates by a ratio of 240/256. The purpose is to create a small seam along the edge of the texture map so that if your game is using mipmapping with a bilinear or trilinear filter, the texture won’t bleed into its neighbors in your texture cache nor will it bleed into itself if you haven’t clamped the edges. The last command, Planar Map by Surface Material, is probably the most useful of the three. Planar Map by Surface Material applies a “best fit” planar projection to all surfaces grouped by material in the current selection. If you section your model by material, this will treat each material color as a contiguous group and apply whichever planar projection fits it best in the TCE. You’ll still need to do some manual adjustment after you map it this way–especially texture packing, as this leaves plenty of room between areas so the surfaces aren’t too difficult to select–but it can save a lot of time in laying down a base mapping before you manually refine each area. A new version of the AC3D texture monitor plugin is available! This version adds a “smart update” feature that prevents the same texture from being reloaded multiple times, even if you use the texture multiple times in your scene. The texture monitor now also ignores files who’s “last modified” time stamp has not changed on disk within the last 10 minutes, so textures you haven’t changed don’t get reloaded. This should make load times much faster, especially in large, heavily-textured scenes. This plugin “bakes” a texture from one object to another, allowing you to transfer texture data between two models with the same geometry but different texture coordinates–without having to re-paint the texture bitmap! This is useful if you start to paint a texture, and change your mind later about the UV map, or for games when you can’t change the layout of the map for technical reasons, but would like different UVs for convenience during painting. It’s also good for fitting text onto a warped surface or other projections that would be difficult or impossible to paint by hand. New for AC3D! This plug-in adds quick reload to the tools menu, allowing you to reload all your textures in just one click. It also includes a tiny disk monitor client that automatically notifies AC3D when your texture maps are saved to disk by your paint program. With this plug-in, you can see your changes made in Photoshop, Corel or your favorite paint program show up in AC3D right away–without any additional clicks. * UPDATED 5/14/2008: New version with faster reload! This version tracks textures more intelligently to prevent the same texture from being reloaded more than once per cycle, even if it’s used multiple times. * UPDATED 11/27/2008: The texture monitor is now obsolete. As of 6.4, AC3D now includes its own, much better texture monitor. Download the plugin. (Requires Windows XP, AC3D 6.2 or above. Disk monitor feature requires TCPIP loopback support for communicating with AC3D.) This AC3D plug-in exports the uv map (texture coordinates) of the currently highlighted faces in DXF format, suitable for import into vector drawing packages such as Corel Draw. Very handy if you like to do your textures as vector art! Hi, I’m Lisa and I make arcade games. In the games industry, the first question everyone always asks is ‘are you an artist or an engineer?’ Consider me an engineer who likes to color. :) I love code. I love art. And I especially love code that makes art. Source.